Significance
Criterion AThe place is important in demonstrating the evolution or pattern of Queensland’s history.
(Criterion under review)
Criterion DThe place is important in demonstrating the principal characteristics of a particular class of cultural places.
David Jones demonstrates the principal characteristics of a larger scale and early 20th century department store and forms part of streetscape comprised of a group of complementary buildings including the nearby National Australia Bank [600141].
Criterion EThe place is important because of its aesthetic significance.
The building exhibits important aesthetic characteristics valued by the community, in particular the finely articulated 1909 Queen Street façade, the disciplined 1936 art deco façade and the building's contribution to the Queen and Adelaide streetscapes.
Criterion HThe place has a special association with the life or work of a particular person, group or organisation of importance in Queensland’s history.
David Jones has a special association with the life and work of Thomas Finney and James Isles, and with their firm, Finney Isles & Co, a major Queensland department store.
History
This department store complex was built in stages between 1909 and 1936 for the firm of Finney Isles & Co. The firm was established by Thomas Finney and James Isles in 1864 with a draper's store in Fortitude Valley. The business quickly expanded, occupying Queen Street premises in the 1870s, then the City Exchange building in Edward & Adelaide Streets from the mid 1880s in which it sold a wide range of clothing, furniture and household items. Finney Isles, like many retailing firms, had a manufacturing section making both clothing and furniture.
New premises, which were called the 'Big Block', were erected for the company in 1909-10. Designed by C W Chambers with J Mason the contractor, the building comprised five floors on Queen Street and three floors on Adelaide Street. The use of reinforced concrete for structural purposes was one of the first occasions in Queensland. The Adelaide Street site was previously occupied by the Gaiety Theatre and part of its southern wall was incorporated in the new structure. The building featured innovative display windows on Queen Street, silky oak staircases, lifts decorated in latticed ironwork and silky oak, pneumatic tubes for exchanging cash, a roof-top water tower and a large generator providing electricity to the lights, lifts, pneumatic system and the 400 sewing machines in the workrooms.
In 1921 the company acquired a two storeyed building adjoining the northern side of the Queen Street store and it was converted for use as the men's department. In 1929 this building was extended to four storeys and the facade remodelled to a similar style of the 1909 store.
The complex was further extended in 1936 when a three storeyed building was erected on the southern side of the Adelaide Street store. Designed by the firm of Atkinson and Conrad, the work was undertaken by Stuart Bros Ltd.
Additional floors and a screen were added to the 1929 Queen Street building after 1949 and the 1936 Adelaide Street building was extended to five storeys prior to 1962. Finney Isles & Co was taken over by David Jones in the 1960s.
In 2017 the place is interlinked with the Queens Plaza shopping complex.
Description
The David Jones store, with frontages to Queen and Adelaide Streets, comprises sections of varying levels and differing facade treatment. The place is interlinked with the Queens Plaza shopping complex.
The southern Queen Street section (1909) has six storeys with a basement. The facade contains five vertical bays of windows, now painted, above the ground floor level. The bays are divided by a cluster of slender columns and mouldings extending into delicate floral decoration at their top. The cornice is elaborately decorated with egg and dart moulding, and rows of rosettes on the soffit and face. The words, 'THE BIG BLOCK' and 'FINNEY ISLES & CO. LIMITED' are contained on the parapet in raised lettering. Above the parapet is a central raised classical pediment containing the date 'A1909D'.
The northern Adelaide Street section (1909) comprises three storeys. The facade is more austere than that of Queen Street, reflecting the lesser importance of this street address. Originally having five distinct bays, half of the far right bay has been removed in the construction of the neighbouring section. The upper level windows have broad arched openings that are visually connected to the square headed windows below by plain flanking pilasters. Above these at parapet level is a central triangular pediment incorporating the date 'A 1909 D'.
The southern Adelaide Street section (1936) comprises six storeys. The facade, in the Art Deco style, consists of three bays of four windows separated by pilasters. The art deco treatment returns for some distance along the southern wall. The windows are all small, slender rectangular openings. Decorative friezes occur between the pilasters at each change in level, and again on the parapet.
The shopfronts at both Adelaide Street and Queen Streets contain modern glazing, finishes and fittings.
Internally the store has been substantially changed. Part of the original ceiling is visible at the front of the 1909 Queen Street section on the upper level. On the first floor of the Adelaide Street section the ceiling is also substantially intact. The 1930s Adelaide Street section retains much of its Art Deco detailing, particularly evident is the black and white Rockhampton marble around the lift wells.
