Baptist City Tabernacle

General

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Classification

State Heritage

Register status

Entered

Date entered

21 October 1992

Type

Religion/worship: Church

Theme

8.1 Creating social and cultural institutions: Worshipping and religious institutions

Architect

Gailey, Richard

Construction period

1890, Baptist City Tabernacle

Historical period

1870s–1890s Late 19th century

Location

Address

163 Wickham Terrace, Spring Hill

LGA

Brisbane City Council

Coordinates

-27.46461277, 153.02466775

Significance

Criterion AThe place is important in demonstrating the evolution or pattern of Queensland’s history.

The Baptist City Tabernacle, as the home of Brisbane's oldest Baptist congregation, is important in demonstrating the evolution of the Baptist Church in Queensland.

Criterion EThe place is important because of its aesthetic significance.

The Baptist City Tabernacle is important in exhibiting a range of aesthetic characteristics valued by the community, in particular:

The Baptist City Tabernacle is significant for its contribution to the Brisbane townscape, Wickham Terrace and Upper Edward Street Streetscapes and as a city landmark.

The composition of the building's architectural elements and the quality and craftsmanship of the timber joinery and leadlight contribute the Baptist City Tabernacle's aesthetic significance.

Criterion GThe place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons.

The Baptist City Tabernacle has a strong association with the Baptist Church, in Queensland, and has a special association with notable Brisbane architect Richard Gailey, as a major example of his ecclesiastical work.

Criterion HThe place has a special association with the life or work of a particular person, group or organisation of importance in Queensland’s history.

The Baptist City Tabernacle has a strong association with the Baptist Church, in Queensland, and has a special association with notable Brisbane architect Richard Gailey, as a major example of his ecclesiastical work.

History

The Baptist City Tabernacle is a large cement rendered church on a corner site overlooking the central business district.

Baptists first arrived in Brisbane about 1851, with the first Baptist church being built in 1859 on the corner of Wharf and Adelaide Street. By 1887, with a congregation of over 400, a new church was needed. Prominent Brisbane architect Richard Gailey, a member of the congregation, designed both the Tabernacle and the former manse which still survives on an adjacent site. The dedication took place on 9 October 1890 and the total cost was over £18,000. It was described at the time as being a Classic Venetian style building.

The first pastor was Rev. William Whale, a notable Brisbane churchman, leader and preacher of the time. In the early 1900s, Miss Fewing's Private School for Girls, which later became Somerville House, occupied the basement. The Baptist Theological College was formed in the tower and occupied it for many years, along with the minister's fraternal for use as a meeting place. The basement rooms provided space for the Sunday School, and related church activities.

The Tabernacle is the major centre for the Baptist Church in Queensland and site for the annual Assembly and other Union functions. Until recently it was the administrative headquarters for the Baptist Union.

Description

This centrally planned church is a cement rendered brick building with parapet walls that conceal a galvanised corrugated iron roof. It is situated on a sloping site on the corner of Upper Edward Street and Wickham Terrace, overlooking the central business district, with the main entrance on the higher Wickham Terrace side.

The front facade is distinguished by centrally positioned entry stairs and an attached tower, surmounted by a cupola, that is prominently located on the southwest corner, the highest part of the site. With the exception of the four-storeyed tower, the building is two-storeys tall and sits on a base that forms a third storey, visible at the rear and sides.

All four facades are composed of variations of the same classically derived elements and motifs and are symmetrical except for the location of the tower. Each facade is divided into three bays, the central bay being larger than the two peripheral bays.

The central bay sits proud on the front and rear elevations and recedes slightly on the east and west elevations. Each central bay is further divided into three parts and has a rose window in the centre of the upper level. All other openings are arched. On the south, east and west facades the central bay is surmounted by a triangular pediment. Corners and compositional divisions in the facade are marked by banded rustication and rusticated pilasters.

The longer east and west elevations have two additional bays recessed between the two main bays. In these recesses are arched entry doors that open onto the lower-ground floor. On this level are the sunday school rooms, lecture hall, kitchen and meeting rooms.

On the ground level above, the entry vestibule opens onto the double height space of the church; a 70ft wide space which is spanned by timber trusses that are concealed by a flat plaster ceiling. In the corners of the building are two-storeyed rooms that look into this space, as does the gallery located over the vestibule. Internal walls are plastered and contain built-in circular cast iron ventilation grates. Decoration is restrained with the windows containing geometric patterned leadlight.

Cedar pews are arranged in a semicircular pattern facing the pulpit, baptistery, organ and choir gallery that are located at the northern end of the space and feature timber panelling. A screen has been built behind the choir. This screen blocks the original view from the auditorium of the north wall with its rose and arched windows and the spiralling timber stairs.

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